> Programme
There will be minor changes regarding lecture and workshop titles. Please check regularly this section for any updates.
PROGRAMME 4ArTS
|
THURSDAY 03/09/09
|
FRIDAY 04/09/09
|
SATURDAY 05/09/09
|
SUNDAY 06/09/09
|
|
| 9.00-9.15 | Arrival |
Arrival |
Arrival | Arrival |
|
9.15-10.15
|
1. Lecture The body image in Art Therapy- A fascinating Odyssey’ ,Ioanna Kilimi (artist, Art Therapist) |
5. Lecture ‘A Case-Study of a Child of Ten with Dyspraxia’, Caroline Case (Analytical Art Therapist/Child Psychotherapist) |
9. Lecture ‘Art Therapy and Anger’, Marian Liebmann (Art Therapist) |
|
|
10.30-11.30
|
2. Lecture ‘Creating a Greek music therapy culture’, Maria Froudaki (Music Therapist)
|
10:30-11:45 6. Lecture ‘Archetypal transference and the archetype of the wounded healer’, Martin Schmidt (Jungian analyst)
|
10. Lecture "Dance therapy and Sublimation", Zoe Hatzidaki, (Dance Therapist, Psychotherapist)
|
|
|
12.00-13.00
|
3. Lecture ‘When words fail and violence speaks”, Laura Jiménez-Alonso (Art Therapist) |
7. Lecture ‘Dramatherapy and Creativity’, Dora Dedeski (Psychologist, Drama Therapist) |
11. Lecture ‘Dramatherapy training-Extending the limits’, Stelios Krassanakis (Psychiatrist, Drama Therapist, Director) 11.45-13.00 4. Lecture - Experiential workshop "The Language of the Body", Amalia Zaharaki (Body Psychotherapist) |
|
|
Lunch break
|
13.00-14.00 Lunch
|
13.00-14.00 Lunch
|
13.00-14.00 Lunch
|
|
| 14.30-16.00 |
i. Drama therapy student workshop "Once upon a time there was a stone", Aeon team (Greece) ii. Art therapy student workshop "Present yourself with a mandala and join together", Florence Hirel (Netherlands) iii. Music therapy student workshop "The therapeutic functions of music storytelling", Katherine Walters & Ralitza Ivanova (UK) iv. Music therapy student workshop "Intuitive Music - Freeing your musicality to the healing flow", Julie Krøier (Denmark) |
8. Music therapy workshop - Lecture ‘Guided Imagery & Music workshop’ , Evi Papanikolaou (Music Therapist / GIM Psychotherapist, Greece) ix. Drama therapy student workshop "The other and I: enemies or allies", Dido Salesioti & Athina Papadopoulou (Greece) x. Dance therapy student workshop "Group Dynamics and the story of growth" Julie Joseph (UK) xi. Music & Art therapy student workshop "Similarities and differences between Music therapy and Art therapy", Ralitza Ivanova & Catherine Pamplin (UK) xii. Presentation "Drawing words, filling voids: a case study of a cross-dresser in existential psychotherapy", Elisabeth Tapini (UK)
|
12. Lecture "Spagyric Dramatherapy and the Alchemical Work of the Soul", Demys Kyriacou (Psychiatrist, Dramatherapist, Homeopath)
|
|
| 16.30-18.00 |
16.30-19.00 @ Bios bar, Pireos 84
-Opening session -Registration -"Aeon" Drama Therapy students performance
|
v. Art therapy student workshop "Multiple Voices", ISPA Art Therapy students (Spain) vi. Drama therapy student workshop "The Foreign, the Strange, the Meaning and I: a Dramatherapy workshop based on Ancient Greek drama" , Anastasia Karantzi & Elina Makrogianni (Greece) vii. Dance therapy workshop "Working with the inner child through the body", Anastasia Nikolitsa (Greece) viii. Art therapy student workshop "My favourite tree", Paola Partsalaki & Anastasia Papaspyrou |
xiii. Art&Play therapy workshop "Combining art, play&drama to look at attachment", Camilla Waldburg (Play therapist, Family Therapy trainee, UK) xiv. Dance therapy student workshop "Bearing the silence", Alexia Gaitanou (UK) xv. Drama therapy student workshop "Working with Metaphor", Sabina Roubos (Netherlands) xvi. Art Therapy student workshop "Scribbling and the circle of life" Persephoni Krasidou (UK) |
16.30-19.00 xvii. "The Runner", "Psychology-Art" Art Therapy students performance/installation -Closing session
19:00 - ... PARTY until late @Riviera Cafe Beach bar (34 Eikostis pemptis Martiou street, Artemida/Loutsa) |
ΝΟΤΕ: Participants may attend only one of the workshops available each time.
The premises are kindly provided by the "Argyri-Laimou school"
| Programme |
|
> Lecture abstracts
1. The Body Image in Art Therapy: a fascinating Odyssey
Ioanna Kilimi, artist, MA Art Therapy
On the threshold of the 21st century Art Therapy endeavours an exploration of symbols and metaphors involved in the body representation. At the core of this lecture will be a pictorial narration of the dynamics of the body image development of clients through Art Therapy; we will see how the combination of artistic and verbal communication in Art Therapy can offer the client the grounds for self-realisation and further self-fulfilment. The benefits Art Therapy can uniquely offer to one's body image will be explored.
2. Creating a Greek music therapy culture
Maria Froudaki, Music therapist, MMT Nordoff-Robbins Music Therapy
Music stands for life. Music gives life to emotions, creates experiences and follows people through very intimate paths of internal growth. This presentation aims to offer an opportunity to re-think about the art of making music therapy, considering cultural parameters as crucial so that music acts therapeutically for people – children or adults. During the music therapy training, you learn a lot about aesthetics. When practicing music therapy though, it is essential to have a good grasp not only of psychodynamics which grow in the therapy situation but also of psychodynamics which grow around you – as the art person - . In our clinical work culture is revealed to us on different levels. Each patient has a culture. Each patient group has a culture. Each therapy team has a culture. Each setting has a culture. Each country has a culture. It is of most importance for a young arts therapist to explore all these different levels of culture and discover his personal way to meet them through his art.
3. “When words fail and violence talks”
Laura Jimenez-Alonso, Art Therapist
When words fail and violence takes over, pictures created in Art Therapy can
enlighten the background of actions that could otherwise hardly be explained.
Line, dynamics, form, images and abstract expressions can all contribute to
the art therapist’s understanding. Obvious or hidden symbols magically become
the key, which can open and enlighten the dark chambers of the psyche. Some
case studies will be presented followed by a practical exercise on the issue
of violence.
4. "The Language of the Body"
Amalia Zaharaki, Body Psychotherapist
According to the Grounding Technique, a psychotherapeutic technique introduced by Alexander Lowen who was Wilhelm Reich's student, the body finds its presence through experiencing its past in order to achieve its change in the future.
5. A Case-Study of a Child of Ten with Dyspraxia
Caroline Case, Analytical Art Therapist/Child Psychotherapist
The case-study will describe the development of play and creative work in a child who was referred because of tantrums. She was not able to play or to have friends.
Part of the accompanying family work involved thinking about ‘ghosts from the past’ and on-going maternal depression. Essential to the therapeutic process were the use of Winnicott’s squiggle game and the paintings of Salvador Dali, which gave permission to play. The clinical work demonstrates how the growing relationship with the therapist allowed internalisation of liveliness that then transferred to relationships outside the family, and led to successful transition to secondary school.
6. Archetypal transference and the archetype of the wounded healer
Martin Schmidt, Jungian Analyst
This lecture explores the nature of Jung's thinking about archetypal transference and projective identification. With a focus on the Greek myth of Chiron (the centaur incurably wounded by Hercules), it examines the nature of the wounded healer archetype in therapeutic relationships with particular attention given to the use of art therapy and visualisation.
7. Dramatherapy and Creativity
Dora Dedeski, Psychologist, Drama therapist
From dramatic play and its development to higher cultural expressions such as the arts (dance-music-theatre-literature-painting-architecture-sculpture-cinema), creativity is a process that connects us to the essence of human existence and its quest for meaning.
Dramatherapy, as an arts psychotherapeutic approach, makes use of both the primitive and the more developed aspects of the creative process in order to facilitate changes in all aspects of human behaviour –individual, group, collective-, as well as in the three levels of the Self function –cognitive, emotional, and spiritual.
This lecture will draw on theory as well as on dramatherapy case studies to show the transformational potential of the creative process.
8. Exploring "active music listening" in music therapy
Evi Papanikolaou, Music therapist, MA, MSc, FAMI / GIM psychotherapist
The workshop will be a short introduction to receptive methods of music therapy (focusing on music listening) with a particular reference to the Guided Imagery and Music (GIM) method of music psychotherapy. GIM uses the potential of music to stimulate symbolic images, feelings, thoughts and sensations within us and can be used in various ways and contexts. Receptive music therapy can be applied in groups or in a one-to-one context, in various clinical or even pedagogical settings, with the aim to support and promote not only physical, mental and psychological well-being, but also creativity. Music processing can be combined with other forms of expression, like painting, poetry, movement which take place while listening to music or afterwards. Participants will be encouraged to experience some of these possibilities for themselves.
9. Art Therapy and Anger
Marian Liebmann, Art Therapist
This talk will be based on Marian’s latest book Art Therapy and Anger, an edited collection of chapters describing new work with different client groups, including children, offenders, mental health clients, cancer patients, people suffering from brain injuries and a war veteran. Marian will show slides of her own work on anger issues with mental health clients, offenders and young people. This is a topic of interest to all those working with angry people - and may help us to reflect on our own anger too.
10. Dance Therapy and Sublimation
Zoe Hatzidaki, Dance therapist
A dance therapy intervention in the women’s section of the prison “Koridallos” in Athens, an intervention attempting to reconstruct the body image.
11. Dramatherapy training – Extending the limits
Stelios Krassanakis, M.D. Psychiatrist, Dramatherapist and Theatre Director
Psychotherapeutic trainings face different challenges according to the psychotherapeutic approach followed. Training a dramatherapy student can be particularly hard due to, on the one hand the variety of professionals who choose to train as dramatherapists, and on the other hand the wide range of knowledge and techniques required in order to become a dramatherapist. Training programmes and placements should be able to withstand the relevant difficulties and provide security to the trainee’s doubts and uncertainties.
12. Spagyric Dramatherapy and the Alchemical Work of the Soul
Demys Kyriacou - M.D. Psychiatrist - Dramatherapist - Homeopath
Spagyric Dramatherapy (a term introduced by Dr.Demys Kyriacou) is a form or model of dramatherapy which attempts to link the world of psychological and psychotherapeutic theory and practice to that of spirituality and esoteric teachings and methods. It addresses the needs of adult men and women who want to take a further step regarding their self-development, a step on their esoteric, spiritual path.
The Spagyria concept implies that some personality forms and patterns must break down, be restructured and transformed to create space for Soul-stuff to rise and manifest. In esoteric terms, it means to clear debris from lower centers thus giving a chance for higher centers to function in one's life. The result being that of a psychologically healthy individual - and not an egocentric one - who is nevertheless in touch with one's Inner, Spiritual Core. The focus of Spagyric Dramatherapy is the Soul, that plane of existence most of which is oblivious from our everyday personality and about which thousands of years of esoteric tradition and practice have taught about. As a process it aims beyond the mere reorganizing of psychological defense mechanisms and looks for the transformative and spiritual elements usually ignored by most of the current psychotherapeutic schools.
Spagyric Dramatherapy acknowledges the various opposites in one’s psyche and reaches out for that special inner sanctum where the so called Hieros Gamos – Sacred Marriage can take place.
> Lecturers brief Biographies
1. Ioanna Kilimi, Artist, MA Art Therapy
Yianna Kilimi was born in Athens Greece. She studied painting at the School of
Fine Arts in Florence, Italy. In 1994, she received a scholarship and
completed her studies with honours in “Therapy through Art” in the United
States.
The same year she exhibited her works in the Greek Museum of Chicago.
From 1995 she promotes Art Therapy through seminars, lectures and publications.
She has cooperated with the University of Athens, the Aristotelian University
of Salonica, the Polytechnic College of Athens, UNICEF, Elpida (Friends’
Association for Children with Cancer), Foundation of the Hellenic World,
Cerebral Palsy Greece and VSA Hellas (Very Special Arts Hellas) to name a few.
As of 2006, she lectures in Thessaloniki at the postgraduate program "Psychology-Art".
She teaches at a private high school in Athens and her art can be found in
private collections in Greece, as well as abroad.
2. Maria Froudaki, Music Therapist, MMT Nordoff-Robbins
Maria Froudaki studied piano and music theory. She worked as a music teacher and since 1997 she has been involved in the field of special education. In 2002 she completed her music therapy masters’ degree at Nordoff-Robbins Music Therapy Centre of London. She has worked in various public and private settings - in mental health, special education etc – and currently she works privately as a music therapist treating children and adults. She also lectures on music therapy. She is an active member of the non profitable society ‘Musicing’ which aims to the support of Nordoff-Robbins Music Therapy in Greece. She has participated in many scientific conferences and has organized music therapy seminars in collaboration with music therapists from other European countries. She has a degree in Mathematics from the University of Athens.
3. Laura Jimenez-Alonso, Art Therapist
Laura has a Degree in Education and a Degree in Analytic Art Therapy (AKT München). She has been trained by Gisela Schmeer and also in "Arbeit am Tonfeld" by Heinz Deuser. She is the founder and manager of the Mikado Art studios for schools in Vienna and of the therapeutic centre “August Aichhorn”. During the years she has developed her own methods of working with children and teenagers focusing on racism, prejudice and conflict management. She is currently a supervisor in Vienna who often gives workshops and seminars in different countries. She is also a lecturer for the Art Therapy training at the University of Tallinn (Estonia).
4. Amalia Zaharaki, Body Psychotherapist, Dance Movement Therapy supervisor
More info to come
5. Caroline Case, Analytical Art Therapist/Child Psychotherapist
Caroline Case is an analytical art therapist working in private practice. She is also a child psychotherapist (SIHR) working in a Child and Family Mental Health Service in the NHS in Bristol. She has published widely on images in therapy, most recently The Handbook of Art Therapy (Routledge 1992, 2nd Edition 2006), Art Therapy with Children: from infancy to adolescence ( Routledge 2008) both with Tessa Dalley; Supervision of Art Psychotherapy: a theoretical and practical handbook (Routledge 2007) with Joy Schaverien; and Imagining Animals: art, psychotherapy and primitive states of mind, (Routledge 2005).
6. Martin Schmidt, Jungian analyst (SAP)
Martin Schmidt is a Jungian analyst (SAP) working mainly in private practice in London. He teaches and supervises widely. He lectures on arts therapies programmes at the Roehampton University and the University of Hertfordshire (UK). For the past five years, he has been a visiting supervisor on the I.A.A.P. programme in Moscow.
7. Dora Dedeski, Psychologist, Drama therapist
Dora Dedeski studied Psychology and Special Education, and completed a Master in Dramatherapy. She worked for a number of years (1993-2004) in National Health institutions with teenagers and young people with special needs, mental and developmental disorders. She also worked in Mental Health Institutions as a Special Educator and a Dramatherapist. Since 2002 she has been working as a Dramatherapist in the CENTRE - DRAMATHERAPY and THEATRICAL EPRESSION. She was part of the ΕΔΠΕ* Dramatherapy Training Programme management team (2000-2007). She currently teaches Dramatherapy theory at the Aeon Institute of Dramatherapy. She is the Vice President of ΕΔΠΕ.
*Greek Association of Dramatherapists and Playtherapists
8. Evi Papanikolaou, Music therapist, MA, MSc, FAMI / GIM psychotherapist
Evangelia Papanikolaou has a Music Diploma (Hellenic Conservatoire), an MA in Music Therapy and an MSc in Clinical Neuroscience and Immunology (Roehampton University of Surrey, UK). She also completed a 3-year training in Guided Imagery and Music (GIM), a receptive method of music psychotherapy.
After working in Athens as a musician and a music tutor, she worked in London for 5 years with psychiatric patients, people with emotional difficulties and children with special needs. In 2005 she set a private practice in Greece, with a particular focus on emotional disturbances, psychiatry, neurological rehabilitation, and voice work. She also works at “Anelixi” Psychiatric Rehabilitation day centre and at the “Erisma” centre, with children in the autistic spectrum.
She runs music therapy seminars and workshops and she is a visiting lecturer at the Aegean and National Kapodestrian University. She has presented in numerous scientific conferences and her work has been published in various scientific journals. Also, she is member of Approaches’ scientific committee (e-journal for Music Therapy and Special Education).
Evangelia is the president of the Hellenic Association of Qualified Professional Music Therapists (ESKEM) and member of the British (APMT), American (AMTA) and Scandinavian Association of Professional Music Therapists. Finally, she is a Fellow of the Association of Music and Imagery.
9. Marian Liebmann, Art Therapist
Marian Liebmann has worked in art therapy with offenders, with women’s groups and community groups, and currently in the Inner City Support and Recovery Team (adult mental health), where she has developed work on anger issues. She teaches and lectures on art therapy at several universities in the UK and Ireland. She also works in restorative justice, mediation and conflict resolution, and has run Art and Conflict workshops in many countries. She has written/edited ten books, including Art Therapy in Practice, Art Therapy with Offenders, Arts Approaches to Conflict, Art Therapy Race and Culture, a second edition (2004) of Art Therapy for Groups and most recently Restorative Justice: How It Works (2007) and Art Therapy and Anger (2008).
10. Zoe Hatzidaki, Dance Movement Therapist
More info to come
11. Stelios Krassanakis, M.D. Psychiatrist, Psychotherapist-Dramatherapist & Theatre Director
Stelios is the director of the therapeutic centre “THESEAS” for drug-addicts. He is the founder of the Institute of Dramatherapy “AION” (1991), a centre that provides both educational training and dramatherapy treatment using “the model of 3 triangles”. Stelios also coordinated the dramatherapy book series “Roles in Life - Roles in Theatre”. He has collaborated with the University of Athens and the University of Volos. He has directed more than 20 theatrical performances, and is the founder and art director of the festival of the island Naxos. He is a member of the Greek Psychiatric Association, the Greek Directors’ Association, and the Greek Clinical Assosiation for Psychological Research. Founding member of the Greek Substance Dependence Treatment Professionals (“ITACA”), and of the Greek Association of Dramatherapists and Playtherapists . Several of his books and articles have been published.
12. Demys Kyriacou, M.D. Psychiatrist, Dramatherapist (R.DTh-U.K.), DTh supervisor, homeopath and writer.
Founder and training director of dramatherapy courses in Northern Greece and Cyprus; he runs regular dramatherapy and supervision groups. He is the originator of the concept and form of Spagyric Dramatherapy. He is an editorial consultant and frequent contributor for a magazine (Avaton) dealing with spiritual quest and personal development; also contributed chapters in a variety of books (Archetypo publications) on Alchemy, Nature of the Psyche, Human Typology and others. Additionally, he has written two books of his own, a book of poems ("The purple compass") and a spiritual diary ("Martyria"). He has also created points of contact for dramatherapy on the Internet (www.dramatherapy.gr). His main research interest involves the bridging and fusion, through dramatherapy, of the Spiritual Path and that of psychotherapeutic theory and practice.
He lives and works in Thessaloniki, Greece.
> Workshop abstracts
i. "Once upon a time there was a stone"
Aeon team, Drama therapy students (Greece)
Through group process, ritual, projection techniques and sensory play we are going to explore the various significations that each of us can give to the same natural stimulus providing ourselves a new aspect of differentiation and/or likeness.
ii. Present yourself with a mandala, and join together
Florence Hirel, Art therapy student (the Netherlands)
When you are in contact with yourself, you can come in contact with the others: Discover your own identity and your belonging to the whole humanity.
iii.
"The therapeutic functions of Music
Storytelling"
Katherine Walters &
Ralitza Ivanova, Music Therapy students (UK)
The ancient practice of storytelling is essential to art, drama and music alike. It is also a wonderful tool in emotional expression, as powerful today as it ever has been. The participants will have the opportunity to explore the therapeutic effect of group storytelling in a playful and creative way. The underlying dynamics and emotions which this creates will be discussed afterwards. The medium will be fairly free although based in freely improvised music, as well as the possibility of narration interspersed with music. A discussion about the application of musical storytelling as a therapeutic technique will follow the practical elements of the workshop. We will discuss which client groups may benefit from this practice and why; as well as thinking about those for whom this may not be a suitable music therapy technique and why.
iv. Intuitive Music - Freeing your musicality to the healing flow
Julie Krøier, Music therapy student (Denmark)
Through different exercises the participant will discover ways of playing intuitive music and explore how to apply these playing methods in a clinical setting. All intuitive art-forms are welcome. Please bring your own instruments, graphic/verbal scores, improvisation exercises and all other relevant materials for use and exchange.
v. "Multiple Voices" - Workshop on Transdisciplinary Art Therapy
ISPA Art Therapy students: Edmundo Dos Santos, Sheila Mesas, Josep Turbau, Maeva Martinez, Marialba Torres, Moreia Ayats (Spain)
The goal of this workshop is to work with the multiple characters (heteronymes) that coexist in every one of us. The "heteronymes" are multiple, varied and different. They embody a multiple self, a self-with-the-other, always ready for transformation.
Thus this workshop opens a way through a transdisciplinary scope (music, dance movement and other creative techniques) for all the participants to acknowledge their own heteronymes, in a way of self insight and self construction, so we can let them arise in a fluent dialogue in which we can call out those that we need and abandon those that are no longer useful.
To dare to leave behind what oneself is, and be able to walk between death and rebirth, to be again and make of everyone's life a true work of art.
The heteronymes
Sometimes I am a blind woman
sometimes I am God,
At other times I am the Policeman
Sometimes I am the Victim,
At other times I am the Torturer
Yesterday I was the Lover, the day before I was the Mother
Long ago I was born Peter Pan at one side of the Forest
At the other side I turned into a solitary Cow Boy until getting to a stage where to become a Big Star
I also raised my flag with the power of a Conqueror
although soon afterwards I was dropping it to be a Writer
Tomorrow it is my turn to be the Teacher, but I know I will be surprised being an Artist
Today, I wish to be a Poet
Marialba Torres
vi. "The Foreign, the Strange, the Meaning, and I: a Dramatherapy workshop based on Ancient Greek drama"
Anastasia Karantzi + Elina Makrogianni, Drama therapy students (Greece)
In this workshop we will explore the basic axes interrelated to the notion of being a foreigner and the idea of "xenos" using original extracts from a number of Ancient
Greek tragedies.
vii. "Working with the inner child through the body"
Anastasia Nikolitsa, Dance Movement Therapist (Greece)
Using self-body awareness, relaxation and inner imagery work, we will connect the "here & now" of the body to the inner child's reality. A guided "journey" into the realm of the inner child through the body.
Biography: After completing my dance studies at the Professional Dance School 'Anna Petrova' in Athens (1995), I continued with Postgraduate and Master of Arts in Dance Movement Therapy at the Laban Centre/City University of London (2002). After that I trained in Applied Kinesiology at the Academy of Systematic Kinesiology in UK (2002). I have worked as a Dance Movement Therapist (DMT) in several schools, hospitals and institutions in London. I live and work as a Dance Therapist in Athens since 2003, in private practice. Apart from my therapy work, I have taught the Laban Movement Analysis system at the Laban Centre and the Metropolitan Unversity in London, as well as at the Professional Drama School of Diomidis Fotiadis, in Athens. Since 2003 I have organised and taught several workshops at my space 'Psychosoma' in Athens, as well as in other Greek towns, such as Iraklio, Hania, Rethimno and Kalamata. In December 2008 I presented at the Panhellenic Interdisciplinary Conference 'Child abuse and trauma'.
viii. My favourite tree
Paola Partsalaki- Anastasia Papaspyrou, Art therapy students (Greece)
Through the artistic representation of your favourite tree, you will come in touch with symbolic sides of yourself that you might or might not be aware of, and will be able to communicate with those sides. You will hopefully leave the workshop with a more complete view of yourself that could aid your further self-development.
ix. "Τhe other and I: enemies or allies"
Dido Salesioti & Athina Papadopoulou, Dramatherapy students (Greece)
Each of us creates relationships by carrying our own personal truth. However, how difficult is it to see the truth of the other? With the guidance of the «monsters story» we will look for ways to break the wall that prevent us from crossing to the other side. In this workshop we will work by using dramatherapy techniques based on the developmental model of Sue Jennings Embodiment, Projection, Role (E.P.R).
It is suggested to the participants to wear comfortable clothing.
If participants agree we would record the workshop for research purposes.
x. Group dynamics and the story of growth
Julie Joseph, Dance Movement Therapy student (UK)
My aim is to offer an opportunity to demonstrate and experience some movement techniques, which can be used with groups to promote healing and growth. Using the group dynamic, rhythm, synchrony, vitalization and symbolism the group can experience creating their own journey and story.
Having completed the movement exercise time will be available for discussion and questions and to explore the use in specific groups of clients. There will also be an opportunity to hear how this technique is being used with a group of women as part of a methadone treatment programme.
xi. Similarities and differences between Music therapy and Art therapy
Ralitza Ivanova, Music Therapy student & Catherine Pamplin, Art Therapy student (UK)
The purpose of our workshop will be to explore the similarities and differences between music therapy and art therapy - through experiential use of the two mediums. We hope, through discussion after the experiential, to gain an understanding of the subjective experience of the participants. We would then consider and evaluate any implications our experiences may have for integrated therapeutic approaches in practice. If the session proves fruitful we would hope to follow up with further research.
Maximum 10 participants (including the two of us).
If participants agree we would record the session for research purposes.
xii. "Drawing words, filling voids: a case study of a cross-dresser in existential psychotherapy"
Elisabeth Tapini, Existential Counselling Psychologist (UK)
What happens when, in the classic "talking
cure", the client is more articulate in non-verbal ways?
This is both a confession & a case study of an existential counselling
psychologist, who accommodated drawings in her work with a dyslexic
cross-dresser. An interesting dialogue between talking cure and art therapy!
Reprints of the client's work are presented together with the therapist's
reflections with the client's permission.
xiii. Combining art, play&drama to look at attachment
Camilla Waldburg, Family therapy student & Playtherapist (UK)
The workshop will start with an exercise on attachments. At the end a practical playtherapy case example from a BAPT (British Association of Play Therapists) training DVD will be shown.
xiv. Bearing the silence
Alexia Gaitanou, Dance Movement Therapy student (UK)
Working together, in movement, with the absence of words. Please wear comfortable clothes.
xv. Working with metaphor
Sabina Roubos, Dramatherapy student (the Netherlands)
Learn how to create a metaphor for a client or how clients can make one for each other. What can metaphors do, when and how do you work with them, how to introduce them in your therapy. It's based on the point of view of drama, but can be easily brought into a music, dance or art therapy context. Examples of this will be given.
xvi. "Scribbling and the circle of life"
Persephoni Krasidou, Art therapy student (UK)
The Scribbling game, has been invented
independently in the 1940s by the British psychoanalyst Donald W.
Winnicott (the squiggle game) and the American art teacher Florence Cane.
Over the years it has become one of the most popular procedures among art
therapists. Although game-like, it is a very powerful interaction.
In this workshop we are led to an emotional journey. As Barber (2002)
suggests:
‘Scribbling helps you to let go of inhibitions; the fantasy stage develops
your powers of imagination; tearing allows a carefree action; and
recreating enables you to restore a feeling of order and calm’
(Vicky Barber, Explore yourself through art, p.38)
I call it a circle of life :)
xvii. "The Runner" - Interactive art performance / installation by "Psychology-Art" Art Therapy students (Greece)
Produced by: Elena Tonikidi
Participants: Konstantinidou Maria, Karkantoni Chrisoula, Petridou Marianna, Polyzopoulou Lydia, Sianou Maria, Stoimenou Maria, Bisiritsa Christina, Psimari Anna, Deliakidou Zoe.
This art performance/installation will use the body image in order to create a visual environment. Participants will explore desires and wishes of the idealised part of their ego, inviting at the same time the audience to visualise their own desires and wishes as they will be observing and walking through what will be a colourful installation.

Sponsors

